Xeen's 14, 24, 50, 85mm T1.5 Lenses for PL Mount are built specifically for use as a cinema lenses. They feature an internal focus design, so the lens does not change size while focusing; this minimizes the appearance of breathing when changing focus. Each lens in the set is multi-coated for good contrast, glare prevention, and color-match to a factory standard allowing you to assemble a set over time with minimal color shift. Consistent gear positions and front diameters make lens swaps quick.

SONY PL prime lens with focal length of 35mm/50mm/85mm, maximum aperture of T2.0: SCL-P35T20, SCL-P50T20 and SCL-P85T20. The prime set were sold with Sony PMW-F3(F3K), usually. Although it is designed for SONY F3, F5 and F55, but it can be used in other cameras with PL mount.

The Schneider RHOdium Full Spectrum Neutral Density (FSND) filters are a high-end ND filter line made specifically for the critical color standards of 4K, 6K, and 8K resolution cameras.

The Schneider 4x5.65" Circular True-Polarizing Filter is by far the most effective polarizer for motion picture and television cameras. Having an extinction ratio of ER 374, the Schneider True-Pol is 12- times more effective than other polarizing filters, and is unmatched in its ability.

Lens Filters use lapping optical glass to provide the best quality of footage. Exclusive unique coating to decrease the reflection and diffusion. Cut the infrared and ultraviolet perfectly, give you more vivid and sharper footage. Exclusive multi-coatings on both side offer crystal clarity. Curve polishing on the edge offer smooth and exquisite quality. Filter thickness of only 2mm, it can be used for matte box and Cokin Z-series filter holder.

Carbon Fibre legs. 100mm bowl. Highjack center column support. Added Height to tripod –46cm (18 inches). Weight- 3.1 kg. Minimum height: 85cm (33.47in). Maximum height: 170cm (66.93in) • Leg spreader is different than picture and grounded.

The DS10 828, with carry case, supports Ultralight DVCAMcorders with a rock-solid, lightweight tripod plus Miller's silk-smooth fluid action DS10 fluid head.

The Ronin-MX from DJI is dual-use gimbal suitable both for mounting on the Matrice 600 aerial platform as well as deployment closer to the ground. Improving over the Ronin-M, it features magnesium construction to yield high rigidity while keeping the weight down. Supports Cameras up to 10 Pounds.

Made by precise CNC machine. Dual hand wheels with extension. Compatible with 15mm (60mm spacing) and 19mm (104mm spacing) Systems. Offers both a swinging gear arm as well as horizontal slide adjustment to fit virtually any type of camera / lens Ideal for ENG/Film cameras, such as Scarlet/Epic/FS700/BMCC/C300/F3/F5/F55 Film Shooting.

Swing open design. Double 4*565 and 4*4 filter holders. Filter holder 360 Rotatable. 3 French flags Carbon fiber body. Exchangeable arm, 15mm rods Height adjustment

PL Lens to Micro Four Thirds. Brass Construction with Chromium Plating Flocked Interior to Limit Flare. Infinity Focus

Professional C-stand Made of durable steel with good finishing to resist scratches,rust etc. resists all weather conditions.C-Stand has three sections with two risers, includes gobo head and grip arm. Quick and easy set-up/take-down system by simply pushing the lock knob. Maximum height 2.9M, maximum 20kg Boom Arm 2 Grip Heads.

Complete Kit including black and white fabric. Just Add Stands and Grip Heads. Use to Block Light or as Light Source. Ideal for Softening Harsh Sun

10KG Heavy Weight Shotbags are ideal for weighting or stabilising objects that are wind-affected or inherently unstable -lighting stands, sound equipment, banner stands, umbrellas, tents/marquees, signage and a million other jobs.

Series II, 2.4GHz digital transmission. 128-bit encryption. Up to 100 metres range*. OLED display (on receiver). One button pairing. Three level gain control. AA battery or USB powered. Includes RØDE's broadcast Lavalier microphone.

This ENG set offers a great amount of flexibility for portable recording indoors or outdoors. Its SKP 100 G3 plug-on transmitter transforms XLR equipped devices (such as microphones and mixing consoles) into wireless devices by simply plugging the unit in. The bodypack transmitter, as well as the plug on, can by synced up to the receiver with the simple push of a button. A very small high-quality directional clip-on microphone completes this set.

The silver Rode NTG3 Shotgun Microphone is a professional shotgun microphone that delivers a few unique qualities in order to meet the demands of today's broadcast audio engineers and boom operators. The microphone features radio-frequency (RF) interference properties that avoid annoying noise and interference caused by nearby RF sources such as radio antennas, WIFI networks, internet devices, power lines, etc. The microphone is also built to withstand the rigors of adverse weather conditions.

The Rode NTG2 is a condenser shotgun microphone designed for professional audio capturing in the field or indoors. With a history of manufacturing quality studio microphones, Rode has implemented low noise output electronics and wide bandwidth, both of which attribute to the NTG2's broadcast sound quality. The NTG2 is powered with an internal 1.5V AA size battery or an external +48 Volt phantom power source. The output is a standard 3-pin XLR male connector.

The Rode Blimp Windshield and Rycote Shock Mount Suspension System for Shotgun Microphones is designed to provide your shotgun microphone with protection from wind noise and isolation from shock and vibration. It fits the Rode NTG1, NTG2, NTG3, NTG4 and NTG4+ and any shotgun mic up to 12.75" in length. The Blimp attaches to any standard boompole with the 3/8" thread attachment at the base. Housed inside the grip is a Mogami microphone cable which splits via a junction box to a flexible cable.

The Rode Boompole is a high grade professional boom pole for location and over-head recording. Machined from high grade aluminium for strength even when fully extended. Also featured is a telescopic design, adjustable from 0.86m to 3.23m with precision balance for easy use. The boom pole comes with a 3/8″ thread that allows you to mount almost any microphone securely. And then swivel it in a range of directions that will allow you to easily change positions and follow your sound source.

Modular Mic and Input System. Includes XY Microphone Module. Includes Mid-Side Microphone Module. Four XLR/TRS Inputs

True X/Y Stereo Mics. Selectable Recording Patterns. Records up to 24-Bit/96 kHz. Records to SD/SDHC. XLR/TRS Combo Inputs. Built-In Speaker. USB 2.0 Connectivity. Backlit LCD Display. Uses AA Batteries.

The MDR-7506 is a staple within the recording, film and live arenas. Due to its low impedance and closed ear design, the headphone does an outstanding job of cutting down background noise while providing plenty of volume in the studio or in the field. Additionally, the closed design helps eliminate "headphone bleed" when overdubbing in the studio.

Kit contains three 2" 4 Bank Fluro Lights. 4x 55W Biax Lamps. 4-Way Barndoors, CRI: 95. Flicker-free Electronic Ballast. 2 Yokes: Horizontal or Vertical Mounting. Low Heat.

This ENG set offers a great amount of flexibility for portable recording indoors or outdoors. Its SKP 100 G3 plug-on transmitter transforms XLR equipped devices (such as microphones and mixing consoles) into wireless devices by simply plugging the unit in. The bodypack transmitter, as well as the plug on, can by synced up to the receiver with the simple push of a button. A very small high-quality directional clip-on microphone completes this set.

9.37 x 7.48 x 1.26" Panel Flood 75°; Beam Angle. 3200-5500K Variable Color. Full 0-100% Dimming. 1,920 Lux Brightness at 3.3'. 30W Maximum Power Draw Dual Sony F/FM/QM Series Battery Slots. Slots for Connecting Multiple Panels. Tilt Adjustable Light Stand Adapter. Diffusion Filter